#Rodecaster pro 2 adobe audition professional

The lights on the Smart Pads are bright, and the controls i.e. The device has an intuitive compact design with excellent cable management.

While the Pro II has a plastic body, the construction lines are clean and the unit feels high quality. The rear panel features a power button, a microSD card slot, 3 USB ports (a dedicated one for power and two for connectivity), four combo XLR/TRS inputs, four ¼” headphone outputs, two balanced line outputs and an ethernet port that you can connect to a router for firmware updates.

Eight rubberized Smart Pads and two small bank scrolling buttons are housed on the right side, and 6 channel buttons, along with sliding faders and mute/solo options are present on the left. The top features all of the main controls that include a 5.5 inch touchscreen, four headphone volume control knobs, and a large encoder to control the master output level as well as various other parameters on the screen. The Rodecaster Pro II is a 2×16 I/O USB-C unit by Rode, a highly regarded producer of podcasting interfaces, that offers a 24 bit/48 kHz audio resolution, and operates via an external power supply. In general, you don’t have to go overboard with podcasting interfaces, a good affordable brand such as Focusrite is more than enough for most people. You also want to set a budget and look for something that fits within your price range. Some podcasters want to record simultaneously through their microphone as well as an online application such as Google hangouts or Skype, if this is your intention then you will need something with an internal loopback.įinally, you may want to consider things such as portability, if you want something that is easier to transport then you should consider the weight, size and power requirements of the interface, as well as the connectivity options ( USB or Thunderbolt) that align with your computer or laptop. Other features to lookout for in a podcasting interface include a headphone output (for monitoring during recording) as well as loopback connectivity.

However, for best results, it’s always a good idea to get an interface with the best preamps. If you are streaming, then you can get away with cheaper interfaces that have a lower noise floor EIN ( about – 127 dB). If you’re not live streaming, then invest in an interface with the highest quality preamp. As you expand, you will want more channels for added effects, music and other sources. When choosing an audio interface for podcasting, at the bare minimum, you want two input channels (one for the host and the other for a guest microphone). An interface will open you up to a wide selection of audio equipment that will enhance your sound and allow for a higher degree of control. Even if you have a smaller setup, as you expand you will want to invest in a more expensive condenser mic as well as a mixer. Interfaces are a one time investment and don’t really cost much, and the benefit (higher quality audio) you get from having one clearly outweighs not including one in your setup. While a lot of podcasters have had success with USB mics (working within their limitations), in this era of digital recording, it is pivotal for anyone serious about their podcast to absolutely route all of their equipment through an audio interface. If you’re using something such as a Blue Yeti USB mic, then the mic actually acts as your interface and you can connect it directly to your laptop/ computer. Audio Interfaces are catered towards podcasters who are looking to hook up higher grade audio equipment and XLR mics.

#Rodecaster pro 2 adobe audition professional

If you’re a Podcaster looking for an audio interface, then you’re obviously one who has decided that you want a real audio setup with a more professional and defined sound. What else do I need for a complete Podcasting setup?